Galerie Gabriele Rivet, Cologne.
A 70ies ball-TV set is showing a scene of approximately one hour,
recorded in a Cologne pedestrian-zone: It depicts a handicap from
Brazil who’s name is Carlos. Just with his two crutches
and his head he is keeping a ball masterly in the air. Carlos
immediately attracted my attention, as I have been touched, how
he turned his objective weakness into personal potency of an amazing
presence in form of a so far never seen image, that obviously
fascinated not only me. He has been suggestive of identifying
himself completely with his activity. Nothing at him has let pity
arise. His charisma was strong and he created a place where no
place has been without. His public however also the masses passing
in the Christmas-purchase-intoxication respected a surface of
about 50 square meters as his, despite of the overcrowding pedestrian-zone.
Thus Carlos is temporarily appropriating the public space (not
only in Cologne) in unique way and is defining himself for a while
as a identity donating part of the respective public area: Carlos
turns into the authentic monument, that indeed stimulates to reflect
on the complexity of the public as well as on its paradoxes.
After the first meeting, I have returned many times and have
watched him again and again. Thus we finally came into the conversation
and have met different times. The desire grew to be able to film
him with a fixed setting. The precise movements of his crutches,
their different angle-positions, that were emphasized by the “click
clack” of his crutches and the surprising effect of his
present also on the perception of the surrounding department store-architectures,
would best represented this way. Finally, I explained him, what
I wanted to do, and ask him if he would mind. It wasn’t
a problem for him and moreover I refused to be paid by me. Actually
he has been happy and proud that he could help me to make an artwork
through his own work.
Round TV-set, DVD, Player
(videostream)